Season Four of Tales from the Crypt keeps the momentum going with another murderer’s row of astonishing, A-list talent in the service of adapting a comic book series of ill-repute from the 1950s. Indeed, we live in an age of miracles. I have a great deal of affection for several episodes from this season, starting with its opener “None but the Lonely Heart,” directed by Tom Hanks, a tale that recalls Stephen King’s “The Man Who Loved Flowers” from his